Very refreshing... very readable but also so postmodern and referential. I delighted in your sources.

                                               Richard Olafson, Editor,

                                               Pacific Rim Review, Victoria, B.C.

Quite an extraordinary work. ..Initially the surreal plot threw me then I realised that the plot, the use of various styles and forms, present continuous, film scripts and cooking instructions etc, were creating a particular structure. Eventually, I concluded that it was some sort of a coded book, either intentionally or as some kind of experiment, which I failed to appreciate. Like most coded works, the book consists of two novels seamlessly interwoven. I have tried this coded thing but I used simple invisible multi-layering as you do when encoding engineering drawings. This form of yours is way beyond that. This is a very brave new world you have stepped into, or invented, a new realm.

Eric Willmot, author of Pemulwuy and Below The Line, Melbourne

It reads like a splendidly maintained & protracted metafictional elaboration of the climactic shoot-out in the fun-fair corridor of mirrors at the end of Orson Welles's 'Lady from Shanghai'.

Tom Gibbons, painter, writer, academic, Perth